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tants, in the
hope of completing the task by about 1970. With only a modest extension to that program,
the first volume of the revision to appear was published in June 1976, printed letterpress
by Oxford University Press. It covered the second part of the alphabet for the simple
reason that this was the part with which she was most familiar. Volume One appeared ten
years later, in April 1987. Then there was a shorter pause, and in 1991 was published what
is in many ways the most remarkable part of all, the third volume containing not only
Philip Rider's essential chronological index, but also Kitzi's own detailed survey of the
printing and publishing trade (mostly, of course, in London) down to 1640.This volume is
testimony to the detailed bibliographical notes that had been kept in the course of the
revision of the main portion. It is also testimony to historical skills of a high order,
while the map of the City of London that accompanies this third part is a masterpiece of
its kind, in itself a major contribution to the history of the City.
The entries in the STC repay alert reading, after careful
study of the introduction. Individually, they may be unravelled to discover far more than
just edition statements and locations. They will give hints about production, about
peculiarities of the book trade, and about individuals people, not only books. There
is even the odd joke: the misprinted heading for the voluminous sermonizer, and as
voluminously collected, Henry Smith, minister, was deliberately and harmlessly steered
through proof correction so that it would on one page read "monster" in the
final text. There are not many other misprints. To share the process of revision with
Kitzi, in correspondence week by week, was to share a voyage of discovery, frequently
exciting, sometimes (for the slower parts of the work) to be relieved by some unexpected
variation. A privileged few periodically received an informal newsletter or some other
illustrated greeting. Behind it all lurked questions that still remain to be answered, and
to which she contributed so much. It was thanks to her that we began to understand the
extent to which printers' imprints were not wholly to be relied on, and how deeply
embedded in ordinary trade habits was the practice of shared printing. Other scholars have
taken this further, and others again will take it further still. It was her alert eye, not
only to decorative initials (here she relied much on the earlier work of Jackson and of F.
S. Ferguson) but also to peculiarities of imposition and of paper sizes, that helped open
our own. |
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